Third Annual Writing Contest with an Antiques Twist… Now for Adults Too!

Third Annual Writing Contest with an Antiques Twist… Now For Adults Too!

Posted on June 14, 2013

Child Writing

The Antiques Depot is once again hosting its short story writing competition as a part of the Nantucket Book Festival. We have been encouraging young people and teens to develop their creative and literary talents, all while exploring the world of rare and special antiques. This year, by popular demand, we have expanded the contest to include a section for adults as well.

Contest Now for Adults Too!!!

Contest Now for Adults Too!!!


Contestants are invited to come into the Antiques Depot on Nantucket, and explore the wide variety of treasures from our past on display, to find that one piece that sparks their imagination (no purchase necessary). They may be amazed to learn that antiques aren’t just that fragile china dog on their granny’s mantle… they may find harpoons and relics from old ships, tribal pieces made by American Indians or Pacific Islanders, mysterious objects from the Orient or ancient Egypt, or rare artifacts from age of the Pilgrims or the Revolutionary War!


After asking whatever questions they wish about the object’s identity and history to get started, they can have fun researching and exploring their chosen piece at the library and the many island museums, and then put their new found knowledge and imagination to work by writing a story about their object. The author can write a fictional “biography” that follows their object through the various imagined hands that have owned it over the years since it was made, perhaps exploring some of the ways it had been used. The author may choose to write an exciting story that takes place sometime in the past, where the chosen object plays an important role.

All of the authors are encouraged to think of their object as a real character in their story and address when it was made, where it was from, what was its purpose, what was its life like, what did it witness? The contest is an opportunity to learn about our culture and get a better feel for Nantucket’s past, all while having fun with a creative project. The Antiques Depot is hoping the young authors in particular will discover that exploring antiques will inspire a lasting appreciation of history and heritage.

The story writing contest will launch during the Nantucket Book Festival… stop by and visit our table at the author’s tent in the Atheneum garden on Saturday, June 21 from 10:00 to 4:00. The contest is open to everyone, and the authors will be divided into a groups aged 8 and under, 9 to 12, 13 to 16, and adult. The stories will be judged on the accuracy of information related, creativity and of course writing skill. The stories may be hand-written or printed, may be delivered either in person, by post, or by email, and must be submitted by August 16.

The winners may pick their choice of grand prize from among a Kobo ereader (generously donated by the Nantucket Bookworks), a vintage hand-crafted Ship-in-a-Bottle, a selection of classic Nantucket books (generously donated by the Egan Maritime Foundation), or a gift certificate to the Antiques Depot.

The winning stories will be published in the Antiques Depot Blog, and will also be submitted to the Chamber of Commerce website, the Inquirer & Mirror, Yesterday’s Island, and the Nantucket Chronicle.

Best of luck and we look forward to reading your entries!

The Antiques Depot is located at 14 Easy Street and is open 7 days a week from 10 am to 4 pm. Inquiries are welcome at 508-228-1287, and at Follow us on facebook and twitter by going to our website at


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Christmas in Ireland: The Christmas Panto!

Christmas in Ireland: The Christmas Panto.

I admit it: I look forward to the annual Christmas Pantomime every year. I had heard about them in old Christmas books, but of course had never been to one. We just don’t have these in the States. When I first came over to Ireland for Christmas , I was thrilled to hear that there were not one, but two different pantomimes held in Cork during December and January. Brilliant! At last!  I was psyched to go, but then was told “No way! The Pantos are for children. An adult can’t go… everyone would think you were a nutter!”  I was crushed.

"Alice in Wonderland" at the Cork Opera House last year.

“Alice in Wonderland” at the Cork Opera House last year.

Determined to see this Christmas tradition, it didn’t take me long to figure out I could invite my young niece and nephew. I could get to see my panto by using little Jack and Orla as camouflage! Twenty years later I still go to the panto every year. We pretend we’re taking the young ones, our Christmas present to our nieces and nephew (now four of them), but we all know they’re really chaperoning me.

The annual Christmas Pantomime is a hugely popular, eagerly attended part of the Christmas season throughout Ireland and the UK.  The Panto is a deliberately campy, over-the-top  stageshow that incorporates ham acting, singing and dancing, corny humor, men in drag, audience participation, topical references, and double entendres…  all aimed for children… but not-so-secretely loved by adults.  Picture a children’s theatre, crossed with a vaudeville music hall, the Rocky Horror Picture Show, MTV, and a touch of Jim Henson. A slice of old fashioned entertainment!

Traditional Harlequin and Columbine.

Traditional Harlequin and Columbine.

What are pantos? How did they begin? The Pantomime (which today  luckily has Nothing to do with Mime) is descended from the Harlequin and Columbina plays of the Commedia dell’arte dating back as far as the 16th Century. Simple sketch plays featuring stock characters depicting typical types of people, with bawdy humor, improvisation, and props: kind of a Punch & Judy Show with live actors.

London theatres in the 18th Century carried on this tradition, first as silent performances with only dancing and gestures (thus “pantomime”). Following nicely in the footsteps laid by the Medieval Mummer’s Plays associated especially with Twelfth Night, the Pantomimes quickly became a popular entertainment during the Christmas season. By the mid 19th Century the shows became more elaborate, with witty and topical dialogue, slapstick, and often spectacular and elaborate theatrical effects. The plots evolved from simple skits to a small repertoire based on nursery rhymes and folk tales. We’re talking twisted fairy tales here, with little resemblance and very little regard for the original tales.

Antique poster for a Christmas Pantomime.

Antique poster for a Christmas Pantomime.

There is usually little or no reference to Christmas; the basic subject is adopted from a children’s story such as from Cinderella, Aladdin, Jack & the Bean Stalk, Snow White or other such chestnut, and freely borrows characters and features from other tales, or invents wholly new bits you’ve never heard of nor dreamt. It is assumed that the audience is so familiar with the original story that there is little effort to develop the plot which is instead adapted for comic or satirical effect.*

Hurry! The curtain rises in five minutes! Cork opera House 2013.

Hurry! The curtain rises in five minutes! Cork opera House 2013.

The curtain rises. Enter the hero: “Hello boys and girls! I said HELLO BOYS AND GIRLS!!!”  and repeated yet again until the audience responds loud enough.

The mad performance follows a stereotyped routine with a love triangle that includes the hero and heroine, a comic lead played by a man in drag (the Panto Dame), an evil menace, a friendly godmother sort, and a lowly servant or other character who befriends the audience, is menaced by the villain and is besotted with the heroine. Every production includes a scary scene of dark menace, and a slapstick grand chase. And then there’s the famous banter with the audience. The Dame “recognizes” people in the audience:

“Is that Mary? Mary dear, you’re looking wonderful! In this light ye can’t tell you had Botox at all!”

And the audience does indeed participate, with the enthusiasm you would expect of children at Christmas. Not just booing and hissing the villain, or sympathizing “Ahhhhh” with the lowly friend. The cast will prompt the audience, but It’s just a formality… everyone knows the score.  The packed theatre will warn the hero (“Look behind you!”), and argue with the villain (“Oh no they don’t!” “Oh yes they do!” Oh no they don’t!”) You get the idea.

The brilliant cast of this year's panto at the Cork Opera House.

The brilliant cast of this year’s panto at the Cork Opera House.

I suspect most of the audience is there for the song and dance (including the dreaded audience participation bit at the end). The best of the panto for me is the topical humor. Beyond the winks and nods at pop culture, hit songs and celebrities, there are plenty of razor barbs aimed at politics and current events, and naughty double entendres galore. Clever and witty, these bits are played for the adults in the house, but still enjoyed by the children on their own level.

After all these years I’d hate to think of celebrating Christmas without this tradition. The first niece we took, Orla, is now an adult close to setting off for college; nephew Jack… well he’s as tall as the beanstalk, and little Amy and Rachel are growing as fast as they can. They all grow up too fast, and soon I fear will probably be too old for this tradition. On the other hand, so far even Orla still loves going to the Panto with us, and we’ve just gained a new nephew less than a year old… I think my Christmas celebrations are safe for years to come!


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Antiques on Film: A Visit to Downton Abbey.

A period drama is a right proper feast of antiques. The proper choice, use and display of period antiques are as important to the production as the dialogue, costuming and historical accuracy. When the research is done right, the period set of a film is a work of art in its own right. The set can also be quite educational, showing antiquated objects as they were used or appreciated during their original period.

The famously successful Downton Abbey provides a beautiful illustration of using antiques correctly… of getting it spot on. Sure the choices are correct, the assemblages make sense, and every room we see has been furnished entirely appropriate to the time period. But decorating the set is the easy part.

More subtle and more important is how the antiques are used, how they feature in the daily life of the characters. Close attention eventually shows how the antiques actually go a long way to molding the characters themselves. They are part and parcel to the fundamental lifestyle we are observing, including their manners and morals, their work and leisure, the very fabric of their daily lives. The plot itself, upon reflection, could not develop independent of the antiques. In other words, there’s no mistaking which character belongs where: Lord Grantham lives in the Gothic Revival manor house, Mr Taylor resides in the room over the carriage house, and someone squatting in an East End dosshouse just wouldn’t be allowed on the property at all.

Look at life below stairs: how most of the long day’s hours are spent in the use and maintenance of the antiques. Never an idle moment for Daisy Mason, the house maids and footmen! There is at hand an implement or device for nearly every activity or want in the period life, and nearly each piece calls for an endless cycle of cleaning and oiling, buffing and polishing, waxing and mending… you can understand vividly now the sweat and tears that went into that deep patina so prized today!

Life above stairs is likewise intimately tied to a never-ending series of actions, almost rituals, which form the daily routine, all dependent upon the physical culture (in other words the antiques). Just the basic maintenance of life, the needs of room and board and attire, is so time-consuming and one expects exhausting for the toffs, let alone the poor valet and lady’s maid. One wonders whose time is more consumed by all this: the master’s or the servants. It’s a wonder anything ever got done in business or empire, aside from dressing and eating!

19th C. Rosewood Gentleman's Traveling Toiletry Case, with Mother-of-Pearl Inlay and fitted interior.

19th C. Rosewood Gentleman’s Traveling Toiletry Case, with Mother-of-Pearl Inlay and fitted interior.

Think back on all those scenes with the family arising and preparing for their day: all the fuss and bother with an elaborate morning toilet and attire. Remember the bachelor chests and linen presses? The layers upon layers of clothing whose names we can’t even remember? The detachable cuffs and collars, and the special fitted boxes to hold them? The sad irons and goffering irons, skirt lifters (we actually have one at the shop patented by the Duchess of Windsor!), pins and brushes beyond description, and all those other clever little gadgets and devices we no longer recognize… the fundamentals of daily life just a few generations past.  Never mind  all the bits and bobs a lady uses for her cosmetic needs, think about just how many different sized and styled brushes a gentleman required to become presentable!

The same bustle of activity (pardon the pun) is repeated for the afternoon, evening, every special engagement, and of course retiring. The sheer volume and variety of clothing, dressing implements and accessories is boggling, let alone the specialized furniture to enclose them all, the caddies and etui to organize them, the tools and devices to care for them, mend them and keep them serviceable and pristine. The very lifestyle not only utilizes, but is in fact dependent upon and in many cases the result of the antique accoutrements.  It would be hard for us today to even imagine such a routine of daily life, were it not for the surviving antiques which quite literally provide a first-hand glimpse into our history.  It’s hard enough for us today to just learn the vocabulary that was required… one would never make it to the ball on time if you kept stumbling along with “I say Jeeves, have you seen that thing-a-ma-jig for straightening the whats-it on my do-hickey?”

And then there’s the dining! No wonder such a large staff was needed to prepare, serve and clean-up after the daily series of breakfast, tea, dinner, tea, supper, brandy and port, tea, and whiskey (the nightcap of course).  Remember that even a humble lower middle class or artisan’s home would keep at least a cook, a maid and perhaps a manservant.  I’ll leave this discussion of dining for another blog (or series of blogs), and just mention one example here: something simple and self-contained, a matter of just one course and minimal cooking… how about tea for instance.

Gorgeous George III Sterling Teapot by Peter & William Bateman, London, 1813.

Gorgeous George III Sterling Teapot by Peter & William Bateman, London, 1813.

Right then: the cook has to boil up the kettle and the second kettle; the butler has to unlock the tea caddy or poi, select and blend the tea leaves requested or appropriate for the time of day and the nature of the guests; the cook or trusted assistant (no doubt having served at least ten years in intense understudy of the tea process) now must spoon precisely the correct amount of loose leaves into the tea pot and fill with water near but not quite boiling; the butler or senior maid gathers the tea pot, hot water kettle on hinged stand, covered sugar bowl (filled with the precious sugar just nipped off the sugar cone kept in its locked caddy), milk pitcher (most likely warmed to just above body temperature), and slop bowl (to receive the spills of cold tea prior to refilling a cup), plus various utensils including a tea strainer and under-plate, sugar tongs, and stirring spoon, arrange neatly on a matching tray and deliver to the morning room (or dining room or study or library or madam’s sitting room or master’s sitting room or the conservatory or the solarium or… you get the idea); since we all realize it would be simply barbaric to take tea without at least a digestive, there must also be a second tray with biscuits, scones, cakes or sandwiches (depending upon the time of day and the inclination of the host) arranged on appropriate plates, with the necessary serving slice, knife, fork and tongs; meanwhile a junior maid has laid the tea table with the necessary tea cups and saucers, cup plates, tea cake dishes, dessert knives and  forks, demi-tasse or tea spoons, serviettes… have I forgotten anything? No doubt. The actual pouring and serving, refilling of the pot, spilling and refilling of cups, will be done by a junior maid, senior maid, valet, housekeeper, butler, or even the hostess herself, depending upon the social status of any guests; then the whole caboodle need be taken away to the kitchen, cleaned, dried and polished bright in ready for the next call for tea. This might be in just five minutes time. No wonder the Japanese evolved their ever so simple tea ceremony.

As we examine and appreciate period antiques, and contemplate their place in period lives, it becomes clear that such a standard of living could not be kept up. In fact at Downton Abbey we are witnessing the last gasp of this Victorian excess, as the Edwardian period fades and the world hurtles into the modern era. The new demands of modern life require efficiency and speed. Convenience and haste come to rule over style and elegance.  Some would call it progress…